#composing
- TW #50 — Aesthetics of Composition and Music Groups (Spyder / NOISE) summaryAn opinion piece from #trax conversations about music groups and "the philosophy about composition practices", written after one year of tracking.
- TW #7 — The Importance of Music Theory (Future Assassin) summaryA personal essay by an 18-year-old tracker who plays by ear and never had a lesson — the earliest traxweekly piece in the theory-versus-ear argument that flared up again in #37–#40 ( s-tw039-chord-theory-debate ).
- TW #72 — Composing Whole Modules (Sir Nick / Deck Blasters) summaryA tracker of six years (Scream Tracker 2.25, several scream-tracker-3 versions, then impulse-tracker ) argues that editing music "in blocks of only few bars" makes tracked tunes monotonous.
- TW #99 — Why Tracking Is The Perfect Artform (anonymous) summaryAn enthusiast's "top reasons for tracking like crazy", with one concrete story about how compo feedback improved a song.